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Herbie Hancock at the Barbican review: unpredictable and ageless
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Down and Out at Ronnie Scott's: Two jazz clubs take on Brexit
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Big Bad Wolf, Pond Life –review: ‘Chill-out music with verve’
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Eliane Elias, review: Legend of the bossa queen
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Vein – The Chamber Music Effect review: ‘typically leftfield'
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Phronesis – The Behemoth review: 'impressive'
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Becca Stevens – Regina review: ‘a rich tapestry’
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Collocutor – The Search review: ‘colourful and hypnotic’
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Thundercat – Drunk review: ‘intoxicating’
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Morten Schantz – Godspeed review
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Chip Wickham – La Sombra review: ‘impressive solo debut’
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Camilla George – Isang review: ‘an unhurried debut’
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Led Bib – Umbrella Weather review: ‘a gonzo jazz jem’
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Sun Ra - Singles: The Definitive 45s Collection review: ‘accessible’
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Tony Minvielle - Into Somethin’ Vol Two review: ‘he knows his stuff’
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Slowly Rolling Camera – All Things review: ‘creeps up on you’
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Roberto Fonseca – Abuc review: ‘a tour of Cuba’s musical history’
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Carleen Anderson - Cage Street Memorial, The Pilgrimage review
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Terry Riley, jazz review: At 81, Riley still takes us to a high
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Clare Teal – Twelve O’Clock Tales review: ‘old school'
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Justin Thurgur - No Confusion, review: 'groove-conscious’
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Zoe Rahman - Dreamland, review: ‘Rahman shines on her own’
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Carmen Souza & Theo Pascal - Epistola, review: 'a gem’
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WorldService Project, tour review: Jazz, but not as we know it
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Cyrille Aimée - Let’s Get Lost, album review
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Erik Truffaz Quartet - Doni Doni, review
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Robert Glasper Trio, review: Old grooves made new
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