War Horse at the National Theatre: Remains tremendously moving
High Society: Helen George gives star turn opposite Felicity Kendal
Black Comedy: Mixes physical comedy and emotional cringe
Chat Noir! review: Impressive immersive journey to 1890s Paris
Beetlejuice the Musical: An absolute scream
End of the Rainbow: Judy Garland's corpse dragged out yet again
CARE at Young Vic: A singular, compassionate piece of work
Quartet in Autumn: Crisply funny study of four lonely office workers
The Boy Who Harnessed The Wind: Good-hearted but long-winded
Stage Kiss at Hampstead Theatre: Amusing but lightweight comedy
Sherlock Holmes at Regent’s Park Open Air Theatre: A garbled take
A Midsummer Night’s Dream: A winningly sunny show at the Globe
Grace Pervades review: Ralph Fiennes sends himself up delightfully
Mass at Donmar Warehouse: An easy win for a smugly liberal audience
Please Please Me: Clumsy look at Epstein's obsession with Lennon
The Price: Arthur Miller's post-Crash drama shouldn't work this well
Marie and Rosetta: Beverley Knight gives a stunning performance ★★★☆☆
Our Town review: Michael Sheen twinkles in a warm hug of a show ★★★★☆
I'm Sorry Prime Minister: Amuses despite misplaced star casting ★★★
The Rat Trap: a must-see for Noel Coward completists ★★★
I Do review: This immersive show is acutely embarrassing to experience
High Noon: Billy Crudup is wholesome in entertainingly bonkers Western
Twelfth Night at the Barbican: A delightful maximalist feast
When We Are Married: This zesty revival is a joyful rediscovery
Paranormal Activity: Is this the scariest show on the West End?
The Playboy of the Western World: A strong turn from Nicola Coughlan
Daniel’s Husband: Decent cast, surface gloss — but too much melodrama
Bengal Tiger at the Baghdad Zoo: Wickedly funny with a nightmare feel
Fallen Angels at the Menier Chocolate Factory: unapologetically horny
A Christmas Carol: A Ghost Story at Alexandra Palace — not spooky
All My Sons review: 'An astonishing, deeply moving piece of theatre'
I Dream of Theresa May is a hostile environment black comedy
Precipice at New Diorama: 'an insult to the audience’s intelligence'
Wendy & Peter Pan at the Barbican: 'heavy stuff but lightly done'
Ragdoll at Jermyn Street Theatre: short, snappy and hugely enjoyable
Ohio at the Young Vic: new musical is an intimate, idiosyncratic joy
Brendan Gleeson delights in West End debut for a revival of The Weir
The Lady from the Sea review: Alicia Vikander's powerful stage debut
The Land of the Living at the National Theatre: feels a little hollow
Dracula at the Lyric Hammersmith review: go on, scare yourself
Not Your Superwoman at the Bush Theatre: Stars need more to work with
Interview at Riverside Studios review: overcooked with zero chemistry
Grease – the Immersive Movie Musical: 'a spectacularly ambitious show'
Clive at Arcola Theatre: it's hard to care about this pointless show
101 Dalmatians at Eventim Apollo review: this pup is seriously mangy
Inter Alia at National Theatre review: Rosamund Pike is riveting
Till the Stars Come Down at the Haymarket: uproarious fun
Noughts & Crosses at Regent’s Park Open Air Theatre: strong stuff
Samira Wiley is revelatory in Intimate Apparel at Donmar Warehouse
A Moon for the Misbegotten at the Almeida: 'utterly mesmerising'
4.48 Psychosis at the Royal Court Theatre review: a hard, harsh watch
Fiddler on the Roof at the Barbican: 'This is a must-see'
The Frogs at Southwark Playhouse: bursting with unfulfilled promise
Jack Lowden and Martin Freeman have great chemistry in The Fifth Step
Dealer’s Choice at the Donmar: savagely comic study of male compulsion
Ghosts at the Lyric Hammersmith review: horribly funny
Shanghai Dolls at the Kiln Theatre review: undeniably impressive
Apex Predator at Hampstead Theatre review: Sophie Melville is magnetic
Rhinoceros at Almeida Theatre review: will delight the willing
Retrograde at the Apollo Theatre review: a wickedly funny must-see
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