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Trainspotting The Musical: Woefully misconceived ★☆☆☆☆
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Midnight at the Never Get: Polished if schmaltzy musical
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The Oresteia at the Bridge: Thrillingly stripped back and bloody
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Jesus Christ Superstar: An OTT, aorta-pumping concert-style production
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Archduke at Royal Court: An amusing look at young male radicalisation
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To Kill a Mockingbird at Wyndham's: Supremely well put-together
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Arcadia at Duke of York’s: A magnificent monument to Tom Stoppard
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The Guilty at Donmar Warehouse: Short, sharp and shocking
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Pride review: Loving musical adaptation of the feel-good film
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The Truth review: Mangan nails this polished French infidelity comedy
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Cyrano de Bergerac review: A conquering hero and a bittersweet joy
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Sinatra the Musical at Aldwych Theatre review: Frankly disappointing
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The Misanthrope: Sandra Oh kills it in an updated, mixed-bag Molière
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Much Ado About Nothing review: A deliciously detailed take
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Glengarry Glen Ross: Compellingly new and strange all-female staging
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Under the Shadow review: Iranian chiller is let down by its djinn
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Driftwood review: Atmospheric but ungoverned debut play
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War Horse at the National Theatre: Remains tremendously moving
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High Society: Helen George gives star turn opposite Felicity Kendal
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Black Comedy: Mixes physical comedy and emotional cringe
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Chat Noir! review: Impressive immersive journey to 1890s Paris
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Beetlejuice the Musical: An absolute scream
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End of the Rainbow: Judy Garland's corpse dragged out yet again
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CARE at Young Vic: A singular, compassionate piece of work
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Quartet in Autumn: Crisply funny study of four lonely office workers
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The Boy Who Harnessed The Wind: Good-hearted but long-winded
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Stage Kiss at Hampstead Theatre: Amusing but lightweight comedy
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Sherlock Holmes at Regent’s Park Open Air Theatre: A garbled take
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A Midsummer Night’s Dream: A winningly sunny show at the Globe
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