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‘Sweet Mambo’: A Pina Bausch supergroup pierce your heart
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The Red Shoes review: Matthew Bourne is in his storytelling pomp
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Marking Time at Sadler's Wells: 'The feel of a showgirl haka'
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Figures in Extinction at Sadler’s Wells: restless and alive
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Thikra at Sadler’s Wells: 'a stirring finale for Akram Khan'
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Akram Khan on his all-female dance show inspired by the Saudi desert
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R:Evolution at Sadler’s Wells: Beautiful but in thrall to the past
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Acosta Danza: A Decade in Motion at Sadler’s Wells: simply dour
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Vlaemsch (chez moi) at Sadler's Wells: weird stew and thin gruel
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Songs of the Bulbul at Sadler’s Wells East: tumultuous and cinematic
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The battle to keep London's youth dancing
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Quadrophenia, a Mod Ballet at Sadler's Wells: 'you can’t look away'
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The Midnight Bell at Sadler’s Wells: a splendidly seedy dance drama
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Sara Baras' Vuela at Sadler’s Wells review: thrumming with ferocity
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The world's greatest choreographer does not like choreographing
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Jane Eyre at Sadler’s Wells: thickets of men blunt the emotional tale
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Specky Clark at Sadler’s Wells: dance as a portal to the supernatural
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Breakin’ Convention at Sadler’s Wells review: a bank holiday bonanza
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The Forsythe Programme at Sadler’s Wells: cerebral and sassy
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Dance Reflections at Sadler’s Wells: from classy to cutting-edge
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Dance Reflections at Sadler’s Wells: the classy and the cutting-edge
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Sadler's Wells East: the insider story behind London's new dance mecca
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Matthew Bourne’s Swan Lake at Sadler's Wells: the gold standard
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Gigenis at Sadler’s Wells review: classy and atmospheric
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Theatre of Dreams at Sadler’s Wells: a full-bodied mind-warping show
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Akram Khan’s Giselle at Sadler’s Wells: shatteringly powerful
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London City Ballet at Sadler’s Wells review: classy and refined
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Sadler's Wells East to be transformed into skatepark for 2025 season
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A Chorus Line at Sadler’s Wells: glorious
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