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The 6 London plays you should book now for February

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Paranormal Activity: Is this the scariest show on the West End?

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Clarkston review: 'Joe Locke is fine but this is pure American cheese'
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Interview at Riverside Studios review: overcooked with zero chemistry
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Till the Stars Come Down at the Haymarket: uproarious fun
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Retrograde at the Apollo Theatre review: a wickedly funny must-see
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Alterations at the National Theatre review: 'a finely tailored play'
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A Good House at the Royal Court Theatre: perceptive and provoking

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The Buddha of Suburbia at the Barbican review: an exuberant affair

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Meet London’s leading emerging writers

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The Clinic at the Almeida Theatre: both fascinating and frustrating

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Jitney at the Old Vic review: Tinuke Craig’s new show fairly crackles

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Cameron Norrie’s girlfriend has ‘really good impact’ on player, coach says
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The False Servant review: Lively and amusing but lacking in nuance

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No Particular Order, Theatre 503: Suggests a burgeoning new talent

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The Haunting of Susan A review: A sketchy, underdeveloped ghost story

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Britannicus at the Lyric Hammersmith: Rarely revived for good reason

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Dropped at Canal Cafe: a moving tale of sacrifice for dashed dreams

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Girl on an Altar, Kiln Theatre: bracingly good reworking of Greek myth

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We Started to Sing at the Arcola: an intriguing but exhausting ramble

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two Palestinians go dogging, Royal Court: a mess but it stays with you

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House of Shades review: A jumble of family saga and political screed

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The Ministry of Lesbian Affairs: acerbic, moving and fun

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The Breach at Hampstead Theatre: headlong but ultimately unconvincing

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Anderson swings England back into India Test on frustrating rainy day
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The play’s the thing as we begin our recovery
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10 books that should be turned into plays
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Female writers unite to write free plays about power
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