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I Puritani at Royal Opera: Lisette Oropesa is astounding
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Tosca at Glyndebourne: Adds a few shocking twists of the knife
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The Turn of the Screw at the Royal Opera: commanding and unsettling
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Ariodante at Royal Opera: glorious first staging in 300 years
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Dead Man Walking at London Coliseum: 'worth the 25-year wait'
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The Sicilian Vespers at the Royal Ballet and Opera House: enthralling
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Katya Kabanova at Glyndebourne: 'admirable, but doesn't quite deliver'
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Lucia di Lammermoor at Opera Holland Park review: the leads soar
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Eugene Onegin at the Royal Opera review: spine-tingling
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Carmen at the Royal Opera: where was the explosive chemistry?
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Jephtha at the Royal Opera House: a powerful indictment of puritanism
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La Traviata at London Coliseum review: simply tremendous
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Das Rheingold at the Royal Opera: this could become a Ring to savour
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Trouble in Tahiti at Arcola Theatre: riddled with irony
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La Bohème at Opera Holland Park: a fresh take on a perennial favourite
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Werther at the Royal Opera House: superstar Jonas Kaufmann is eclipsed
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Rigoletto at Opera Holland Park: busting convention with a female gaze
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The Dead City at the London Coliseum: almost unbearably poignant
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Tannhäuser at the Royal Opera House: well-sung, but sadly inert
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La Bohème at the ROH: Juan Diego Flórez is still kicking to score
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Last Days at the Royal Opera House Linbury Studio review: exemplary
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Margot La Rouge at Le Villi: Slender but convincing stories
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Otello at ROH: Covent Garden fields its first black singer in the role
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La Bohème at Glyndebourne review: Bracing and deeply affecting
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Eugene Onegin, Opera Holland Park: tricky staging undermines intensity
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The Wreckers at Glyndebourne: A thrilling, epoch-making production
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La Bohème, the King’s Head: opera on a shoestring but affectingly sung
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Lohengrin review: an evening of acute theatrical potency
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Peter Grimes at the ROH: Deborah Warner brings Kent to Covent Garden
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