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Poor Things: Yorgos Lanthimos and Emma Stone have triumphed again
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The Killer: Michael Fassbender is worryingly convincing as an assassin
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Killers of the Flower Moon: Lily Gladstone shines in Scorsese’s oeuvre
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Hit Man: Richard Linklater’s sexy, screwball murder comedy is a gem
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The Palace: Polanski’s new film is so dire it’s almost traumatic
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The Wonderful Story of Henry Sugar: Wes Anderson’s Dahl tale is heaven
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Hypnotic movie review: Ben Affleck and co fail to mesmerise
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Women Talking: this sexual abuse drama is a worthy Oscar contender
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Glass Onion: A Knives Out Mystery: cinema’s most insouciant iconoclast
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Living: Billy Nighy is sublime in Kazuo Ishiguro’s Kurosawa remake
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Cultural Capital: we tour @sohoplace, the newest West End theatre
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The Greatest Beer Run Ever: crack open a tin, it’s a tonic
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Mrs Harris Goes to Paris: a sweet treat with a side order of socialism
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The Lost King review: Sally Hawkins is Oscar-worthy in Ricardian tale
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See How They Run: meta-mystery showcases Saoirse’s comedy chops
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Crimes of the Future movie review: barking, but ultimately satisfying
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Cultural Capital: Africa Fashion and Three Thousand Years of Longing
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The Forgiven: black comedy determined to wipe the smile off your face
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Beast: Idris Elba’s lion-fight latest makes exactly the wrong decision
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Nope review: Daniel Kaluuya is magnetic in Jordan Peele’s latest
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Cultural Capital: The Line public art walk and Bullet Train reviewed
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Bullet Train: Brad Pitt’s star vehicle derailed by lack of comic drive
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Cultural Capital: The Lion, the Witch and the Wardrobe and Joyride
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Cultural Capital: Simon Callow on Anything Goes, plus She Will
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Lightyear movie review: no Toy Story but a big adventure all the same
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All My Friends Hate Me: Cult status awaits this soot-black comedy
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Jurassic World: Dominion movie review - the oldies are the besties
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Men review: Jessie Buckley shines in this muddled take on misogyny
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Cultural Capital - from Feminine Power to Top Gun: Maverick
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