SXSW review: Teenage Sex and Death at Camp Miasma
Masters of the Universe review: Nicholas Galitzine is a kindly He-Man
Backrooms review: these panic rooms are this year’s freakiest show
The Devil Wears Prada 2: Lobotomise me with that pitchfork stiletto
The Drama review: Zendaya and Robert Pattinson hit their mark ★★★★★
Dead Man's Wire: Bill Skarsgård is deeply unsettling in hostage drama
The Bride! review: Everybody do the monster mash! ★★★★☆
The Moment: Welcome to Charli xcx's nightmare remix of Brat
Wuthering Heights review: full-throated, filthy maximalism
We Bury the Dead review: Daisy Ridley takes a hatchet to zombie horror
The History of Sound: Off-key even as O’Connor and Mescal sing sweetly
Alas, poor Hamnet — it's a beautiful film but the storyline is tosh
28 Years Later: The Bone Temple — Even darker, gore-slicked sequel
Hamnet review: Paul Mescal and Jessie Buckley are enthralling
Wicked: For Good — It’s Cynthia Erivo’s movie
Family Rental: Brendan Fraser radiates charm as a rent-a-dad in Japan
Bugonia review: Emma Stone mesmerises in this bleak alien conspiracy
Downton Abbey: The Grand Finale review — a nostalgia lobotomy
Freakier Friday review: Could this be Lindsay Lohan's true comeback?
How Disney is trying to save Snow White amid bad reviews and drama
Green Border review: refugee drama should be required viewing for all
Why everyone’s talking about the Ayo Edebiri-approved app Letterboxd
Origin: Ava DuVernay has made much better films than this
American Fiction: Jeffrey Wright shines in this biting satire
Poor Things: Yorgos Lanthimos and Emma Stone have triumphed again
Ferrari: Michael Mann’s old banger stalls and splutters
The Killer: Michael Fassbender is worryingly convincing as an assassin
Anatomy of a Fall: gorgeously poised psychodrama
Bottoms up, we're in for a brilliant, bumpy ride
Foe: low-key sci-fi provides Paul Mescal with his first real dud
How to Have Sex: best holiday ever? God, let’s hope not
Gassed Up: this Top Boy imitation is running on empty
Priscilla: What can Sofia Coppola add to Presley’s story? Not much
Maestro: Bradley Cooper has brought Leonard Bernstein to vivid life
Golda: even Helen Mirren can’t enliven this dull portrait of a pioneer
The Great Escaper: Michael Caine and Glenda Jackson are delightful
Past Lives movie review: original, wry and hauntingly tender
My Big Fat Greek Wedding 3: the fun’s over with this shoddy threequel
Fremont review: surprising refugee comedy drama is simply wonderous
The Palace: Polanski’s new film is so dire it’s almost traumatic
The Wonderful Story of Henry Sugar: Wes Anderson’s Dahl tale is heaven
The Cine Files: everything you need to see at the cinema in September
Passages: Ben Whishaw triumphs in a rousing return to the New Wave
National Cinema Day: What to watch on the big screen this Saturday
Klokkenluider movie review: whistleblower thriller is a real knock-out
Scrapper: Harris Dickinson is a delight as a feckless dad
The Blackening: Tim Story’s horror comedy is a satirical gem
Blue Beetle movie review: full of heart, this one’s worth the buzz
Gran Turismo: thrilling, but there’s a nasty whiff under the bonnet
The Deepest Breath review: plunge into a tight-knit, daring community
No Hard Feelings: Jennifer Lawrence is back with a bang
Transformers: Rise of the Beasts: the robot franchise is getting rusty
Reality: Sydney Sweeney shines in an arthouse film anyone could love
Spider-Man: Across the Spider-Verse - a mind-breaking work of genius
Killers of the Flower Moon at Cannes: Scorsese has made a masterpiece
Fast X: the franchise is running on fumes but still gets pulses racing
The Unlikely Pilgrimage of Harold Fry: patchy, but saved by its leads
The Three Musketeers: D’Artagnan review – a royal fuss about nothing
Scream VI review: this gory sequel offers top quality fan service
Close movie review: touching, topical and devastating
-(1).jpeg?trim=85,0,86,0&quality=75&auto=webp&width=640)
