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Spider-Man: Brand New Day review – surprisingly emotional pay-offs
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The Dink on Apple TV review: Pickleball comedy can’t get over the net
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The Odyssey review: Christopher Nolan's epic is worthy of the gods
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Moana: Pointless cashgrab is a new low for Disney
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The Invite: Olivia Wilde reminds us she's a skilled director
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SXSW review: Teenage Sex and Death at Camp Miasma
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Masters of the Universe review: Nicholas Galitzine is a kindly He-Man
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Backrooms review: these panic rooms are this year’s freakiest show
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The Devil Wears Prada 2: Lobotomise me with that pitchfork stiletto
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The Drama review: Zendaya and Robert Pattinson hit their mark ★★★★★
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Dead Man's Wire: Bill Skarsgård is deeply unsettling in hostage drama
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The Bride! review: Everybody do the monster mash! ★★★★☆
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The Moment: Welcome to Charli xcx's nightmare remix of Brat
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Wuthering Heights review: full-throated, filthy maximalism
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We Bury the Dead review: Daisy Ridley takes a hatchet to zombie horror
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The History of Sound: Off-key even as O’Connor and Mescal sing sweetly
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Alas, poor Hamnet — it's a beautiful film but the storyline is tosh
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28 Years Later: The Bone Temple — Even darker, gore-slicked sequel
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Hamnet review: Paul Mescal and Jessie Buckley are enthralling
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Wicked: For Good — It’s Cynthia Erivo’s movie
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Family Rental: Brendan Fraser radiates charm as a rent-a-dad in Japan
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After the Hunt: Julia Roberts and Ayo Edebiri's talents are wasted
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Bugonia review: Emma Stone mesmerises in this bleak alien conspiracy
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Downton Abbey: The Grand Finale review — a nostalgia lobotomy
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Freakier Friday review: Could this be Lindsay Lohan's true comeback?
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How Disney is trying to save Snow White amid bad reviews and drama
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Green Border review: refugee drama should be required viewing for all
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Why everyone’s talking about the Ayo Edebiri-approved app Letterboxd
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Origin: Ava DuVernay has made much better films than this
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