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'Ballet is not dying' – Reece Clarke and Hannah O’Neill on Giselle
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Ballet Shoes at the National Theatre: 'Gung-ho warmth'
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Marking Time at Sadler's Wells: 'The feel of a showgirl haka'
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Rebirth by London City Ballet: Revived company with smart new identity
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R:Evolution at Sadler’s Wells: Beautiful but in thrall to the past
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A Single Man at Royal Ballet & Opera: fitfully inspired Isherwood tale
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Giselle at Royal Opera House review: Yui Yonezawa triumphs
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No President at the Southbank: renegade ballerinas and cannibalism
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Dream Ballets: A Triple Bill at Regents Park: flawed but endearing
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The Midnight Bell at Sadler’s Wells: a splendidly seedy dance drama
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Barre class essentials - inspired by ballet
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Jane Eyre at Sadler’s Wells: thickets of men blunt the emotional tale
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Royal Ballet's Anna Rose O'Sullivan: 'I give it absolutely everything'
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A ballet retreat showed me why everyone should book a hobby holiday
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The Forsythe Programme at Sadler’s Wells: cerebral and sassy
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Royal Opera and Ballet announce new season for 2025/26
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Folclor at Linbury Theatre review: a hectic, patchy triple bill
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Dancer settles 'body shaming' claim against Royal Ballet School
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Onegin at the Royal Ballet: a passionate tribute to longing and regret
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Matthew Bourne’s Swan Lake at Sadler's Wells: the gold standard
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Carlos Acosta's guide to Havana: dancing, seafood and an art warehouse
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Gigenis at Sadler’s Wells review: classy and atmospheric
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Who was Vladimir Shklyarov? Russian baller star dies aged 39
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MaddAdam at the Royal Ballet review: vauntingly ambitious
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Why is lorry ‘blind spot’ tech to protect London cyclists delayed?
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Encounters at the Royal Ballet review: spiky and reflective
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Akram Khan’s Giselle at Sadler’s Wells: shatteringly powerful
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Swan Lake at the London Coliseum review: a sweet but soporific affair
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Carlos Acosta’s Carmen at Sadler's Wells: fails to take flight
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