This is Heilmann's first solo exhibition in this country and most of the paintings here are from the 1990s. But there's one key canvas from this earlier period, the 1976 Chinatown, a Rothko-like red colourfield painting in acrylic. It's a two-panel painting on canvas where paler, thick-edged borders offset the crimson. But, unlike Rothko's shimmering, soft-focus floating forms, here the paint has been so liberally layered its surface is hard and lacquer-like. She has eschewed the staining practices of Rothko and the hard-edged geometry of Barnett Newman, instead producing something indeterminately in between which is unappealingly clumsy and slapdash.