Woman brings noisy baby to sell-out play starring Sir Kenneth Branagh
John Lithgow pays tribute to London theatre as he wins Tony award
Walk My World: Dystopian immersive theatre sets an epic new bar
War Horse at the National Theatre: Remains tremendously moving
High Society: Helen George gives star turn opposite Felicity Kendal
Rosamund Pike slams texting audience member in West End show
Black Comedy: Mixes physical comedy and emotional cringe
Chat Noir! review: Impressive immersive journey to 1890s Paris
Self Esteem weighs in on efforts to make West End more accessible
Beetlejuice the Musical: An absolute scream
Siena Kelly, star of 1536: 'I am typecast as a little minx now'
End of the Rainbow: Judy Garland's corpse dragged out yet again
CARE at Young Vic: A singular, compassionate piece of work
Quartet in Autumn: Crisply funny study of four lonely office workers
Equus review: A fine revival of a deeply odd but significant play
The Boy Who Harnessed The Wind: Good-hearted but long-winded
Stage Kiss at Hampstead Theatre: Amusing but lightweight comedy
Sherlock Holmes at Regent’s Park Open Air Theatre: A garbled take
Ian McKellen returning to London stage in first major role since fall
1536 at Ambassadors Theatre: Believe the hype, this is electrifying
Krapp’s Last Tape review: Gary Oldman is sublime
Pay less, see more: LOVEtheatre week is back
Jack Thorne on his stage version of Let The Right One In
Rebecca Lucy Taylor on booze, double standards and her musical revival
A Midsummer Night’s Dream: A winningly sunny show at the Globe
Grace Pervades review: Ralph Fiennes sends himself up delightfully
Mass at Donmar Warehouse: An easy win for a smugly liberal audience
Please Please Me: Clumsy look at Epstein's obsession with Lennon
The Price: Arthur Miller's post-Crash drama shouldn't work this well
Between the River and the Sea: The personal can't avoid the political
What on earth is happening with West End ticket prices?
Avenue Q review: An illicit, profane, puppet joy
One Flew Over the Cuckoo’s Nest: Aaron Pierre is electric
Iphigenia review: A clumsy attempt to make Euripides relevant
Meet The Lion King's new leads: 'The Pride Rock prop is older than us'
A Doll’s House at the Almeida Theatre: Romola Garai is excellent
Copenhagen review: Dazzling but boggling play about quantum theory
Inter Alia review: A triumphant, freewheeling turn by Rosamund Pike
Closure of West End theatre is 'catastrophic loss to the arts'
The Authenticator: The legacy of slavery tackled head-on, with humour
Les Liaisons Dangereuses at the National: Lesley Manville is sublime
Jaja’s African Hair Braiding review: Vividly sketches in unseen lives
Romeo & Juliet review: Sadie Sink is a magnificent Juliet
First look at Sadie Sink and Noah Jupe in Romeo And Juliet in West End
Kinky Boots: Johannes Radebe is the saving grace of this mediocre show
A musical breaking barriers: Flyby gets ready to launch
Gracie Oddie-James: 'I was thrown in at the deep end'
John Proctor is the Villain review: terrifically provocative
Stephen Fry on his Standard Theatre Award: ‘Being in a play is weird'
Hayley Atwell on her Standard Theatre Award: 'It was unfairly fun'
Standard Theatre Awards winner Cate Blanchett: ‘I feel alive on stage'
Teeth ‘N’ Smiles at Duke of York’s review: why is everybody shouting?
Standard Theatre Awards winner Rachel Zegler: ‘Evita was amazing'
Teenage Cancer Trust Comedy Night review: fizzing with comedic talent
Consumed at Park Theatre: an uneven comedy with obsidian-black humour
Evening Standard Theatre Awards: Rachel Zegler among the winners
Summerfolk review: A stunning ensemble bring Gorky's satire to life
R.O.I at Hampstead Theatre Downstairs: fast-talking, big-thinking
Dark matter, time travel and meta theatre: Emma Howlett on Aether
-Brinkhoff-Moegenburg-1136-1457.jpeg?trim=74,0,74,0&quality=75&auto=webp&width=400)
-(Credit-Pamela-Raith).jpeg?trim=345,0,955,0&quality=75&auto=webp&width=400)
-credit-Sam-Taylor).jpeg?trim=95,0,97,0&quality=75&auto=webp&width=400)
--Photograph-by-Danny-Kaan-(6).jpeg?trim=82,0,1,0&quality=75&auto=webp&width=400)
.jpeg?trim=171,0,172,0&quality=75&auto=webp&width=400)
-and-the-company-of-Equus-photo-by-Manuel-Harlan.jpeg?trim=103,0,105,0&quality=75&auto=webp&width=400)
-Alistair-Nwachukwu_-c--Tyler-Fayose--9969.jpeg?trim=1071,0,679,0&quality=75&auto=webp&width=400)
-and-Patrick-Kennedy-(He)-in-Stage-Kiss_credit-Helen-Murray_66.jpeg?trim=1561,0,1889,0&quality=75&auto=webp&width=400)
--Tristram-Kenton.jpeg?trim=108,0,109,0&quality=75&auto=webp&width=400)
.jpeg?trim=23,0,227,0&quality=75&auto=webp&width=400)
-Miranda-Raison-(Ellen-Terry).jpeg?trim=104,0,105,0&quality=75&auto=webp&width=400)
--Credit-Mark-Senior.jpeg?trim=156,0,157,0&quality=75&auto=webp&width=400)
.jpeg?trim=672,487,102,0&quality=75&auto=webp&width=400)
-and-Jason-Pennycooke-(Martini)-in-One-Flew-Over-the-Cuckoos-Nest-a.jpeg?trim=16,0,234,0&quality=75&auto=webp&width=400)
-Ikin-Yum.jpeg?trim=53,0,54,0&quality=75&auto=webp&width=400)
.jpeg?trim=514,0,516,0&quality=75&auto=webp&width=640)
_Copenhagen_03488_credit-Marc-Brenner.jpeg?trim=356,1502,793,0&quality=75&auto=webp&width=400)
-Cormac-McAlinden-(Harry)-in-Inter-Alia-at-the-Wyndhams-Theatre--(c)-Manuel-H.jpeg?trim=308,365,328,252&quality=75&auto=webp&width=400)
-in-The-Authenticator-rehearsals-at-the-National-Theatre-(c)-Marc-Brenner-00.jpeg?trim=94,0,95,0&quality=75&auto=webp&width=640)
-in-Les-Liaisons-Dangereuses-at-the-National-Theatre--Photogra.jpeg?trim=146,0,147,0&quality=75&auto=webp&width=640)
-0065.jpeg?trim=176,162,276,161&quality=75&auto=webp&width=400)
--Photo-by-Helen-Murray.jpeg?trim=240,0,0,0&quality=75&auto=webp&width=400)
-Consumed.jpeg?trim=241,0,9,0&quality=75&auto=webp&width=400)
-and-Brandon-Grace-(Nikolai-Petrovich-Zamislov)-in-Summerfolk-at-the.jpeg?trim=49,0,34,0&quality=75&auto=webp&width=400)
