Theatre

Million Dollar Quartet, theatre review: Lacklustre jukebox musical lacks galvanising energy | London Evening Standard

This tribute to the famous protégés of Sun Records is exceedingly optimistically priced, writes Fiona Mountford

Million Dollar Quartet, theatre review: Lacklustre jukebox musical lacks galvanising energy | London Evening Standard
Million Dollar Quartet, theatre review: Lacklustre jukebox musical lacks galvanising energyThis tribute to the famous protégés of Sun Records is exceedingly optimistically priced, writes Fiona MountfordEvening Standard Arts In Association WithlogoPricey foursome: Million Dollar Quartet pays tribute to the famous protégés of Sun RecordsDarren Bell

Review at a glance

As anyone who saw this show during its previous West End run will know, the titular pricey foursome are the most famous protégés of Memphis-based Sun Records: Elvis Presley, Jerry Lee Lewis, Johnny Cash and Carl Perkins. On December 4th 1956 they gathered in a Sun studio with owner Sam Phillips for an impromptu jam session and the rest is, well, a rather lacklustre jukebox musical.

There’s a bit of perfunctory dialogue and exposition of the simmering tensions between the artists and boss Phillips (Martin Kemp), but this piece is – should be – all about those blistering numbers, Blue Suede Shoes, Great Balls of Fire, I Walk the Line and more.

The actor-musicians are undoubtedly talented and Martin Kaye as thrustingly ambitious pianist Lewis is electrifying. Yet Ian Talbot’s production stubbornly lacks the sort of galvanising, up-on-your-feet rock and roll energy that an audience composed primarily of nostalgic baby boomers deserves.

At £95 plus booking fee for a chunk of stalls tickets, MDQ is exceedingly optimistically priced as well. I wouldn’t pay that for this.

Until Jan 2, Festival Hall