Wayne McGregor: 'Dance is like music, it opens channels of perception'
'Ballet is not dying' – Reece Clarke and Hannah O’Neill on Giselle
Classics and cutting-edge: English National Ballet unveil new season
Giselle at Royal Ballet: Fear the wrath of the corpse brides
‘Sweet Mambo’: A Pina Bausch supergroup pierce your heart
Pierrot Lunaire: Much to admire but the sexual politics need an update
Modern Milestones review: lean, muscular modern dance
Woolf Works: Wayne McGregor chases big ideas with electric sensation
Nutcracker at the London Coliseum: a sugary confection of festive glee
The Red Shoes review: Matthew Bourne is in his storytelling pomp
Ebony Scrooge at Sadler’s Wells East: just short of full throttle joy
Royal Ballet's The Nutcracker review: 'Spectacular Christmas magic'
Choreographer Cathy Marston: 'Dance encourages empathy'
Marking Time at Sadler's Wells: 'The feel of a showgirl haka'
Rebirth by London City Ballet: Revived company with smart new identity
Perspectives at the Royal Ballet review: a hurtling, ecstatic journey
Thikra at Sadler’s Wells: 'a stirring finale for Akram Khan'
Akram Khan on his all-female dance show inspired by the Saudi desert
La Fille mal gardée at the Royal Ballet: a pony on stage? Five stars!
Gesualdo Passione at the Barbican review: struggling towards salvation
R:Evolution at Sadler’s Wells: Beautiful but in thrall to the past
Acosta Danza: A Decade in Motion at Sadler’s Wells: simply dour
Vlaemsch (chez moi) at Sadler's Wells: weird stew and thin gruel
A Single Man at Royal Ballet & Opera: fitfully inspired Isherwood tale
We Should Have Never Walked On The Moon at the Southbank: irresistible
Giselle at Royal Opera House review: Yui Yonezawa triumphs
Songs of the Bulbul at Sadler’s Wells East: tumultuous and cinematic
The battle to keep London's youth dancing
No President at the Southbank: renegade ballerinas and cannibalism
Over and Over (and over again) (Candoco/Sadler’s Wells East)
Quadrophenia, a Mod Ballet at Sadler's Wells: 'you can’t look away'
Dream Ballets: A Triple Bill at Regents Park: flawed but endearing
The Midnight Bell at Sadler’s Wells: a splendidly seedy dance drama
Find Your Eyes at Sadler’s Wells East: unexpectedly cool and muted
Sara Baras' Vuela at Sadler’s Wells review: thrumming with ferocity
The world's greatest choreographer does not like choreographing
Jane Eyre at Sadler’s Wells: thickets of men blunt the emotional tale
Royal Ballet's Anna Rose O'Sullivan: 'I give it absolutely everything'
Specky Clark at Sadler’s Wells: dance as a portal to the supernatural
France's edgiest dance group hits London: 'this is the energy of now'
Breakin’ Convention at Sadler’s Wells review: a bank holiday bonanza
The Forsythe Programme at Sadler’s Wells: cerebral and sassy
Holly Blakey at Queen Elizabeth Hall review: a glinting fever dream
Balanchine: Three Signature Works: an extraordinary dance brain
Dance Reflections at Sadler’s Wells: from classy to cutting-edge
Ballet Black: Shadows at Hackney Empire review: resists a neat ending
Dance Reflections at Sadler’s Wells: the classy and the cutting-edge
Romeo and Juliet at the Royal Ballet review: refuses to act its age
Sadler's Wells East: the insider story behind London's new dance mecca
Folclor at Linbury Theatre review: a hectic, patchy triple bill
Vollmond at Sadler’s Wells Theatre: a watery wonderland of romance
Onegin at the Royal Ballet: a passionate tribute to longing and regret
Nutcracker at the Coliseum: ENB's new production hits the sweet spot
Matthew Bourne’s Swan Lake at Sadler's Wells: the gold standard
Ruination at the RB: sombre, daft, raw – a festive show like no other
Cinderella at the Royal Ballet review: an enchanting festive pleasure
Gigenis at Sadler’s Wells review: classy and atmospheric
Encounters at the Royal Ballet review: spiky and reflective
Theatre of Dreams at Sadler’s Wells: a full-bodied mind-warping show
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