Tchaikovsky would have approved of the spirit of this new staging by OperaUpClose, writes Nick Kimberley

Gareth Hancock and the Royal Academy of Music Opera give Don Giovanni a "Day of the Dead" makeover 

Marin Alsop gets theatrical with Bernstein, Mahler and The London Symphony Orchestra

Opera Holland Park's revival of this neglected 1900 work is worth the effort, writes Nick Kimberley

A small-scale production of Puccini's opera at the King's Head pub Theatre makes a big impression

The orchestra gets the best lines in André Tchaikowsky's only opera, writes Nick Kimberley

Musical values are high in Oliver Platt’s Opera Holland Park production, writes Nick Kimberley

Pathos and bathos are held in perfect balance for Sarah Minns' portrayal of a woman who is desperate to love, writes Nick Kimberley

The second concert in a series designed to celebrate Simon Rattle's arrival as LSO director proved to be something special, writes Nick Kimberley

A piano quintet arrangement replaces the traditional orchestra - but it's so skilful that you forget what's missing, writes Nick Kimberley

Silent Opera's radical reimagining of Janáček's The Cunning Little Vixen offers something truly different, writes Nick Kimberley

Invigorating company OperaUpClose has moved to a bigger venue but lost none of its nerve, writes Nick Kimberley

The V&A Museum of Childhood's resonant acoustic lent singers some startling immediacy, writes Nick Kimberley

Mozart was just 14 when he wrote the charming, exciting, dramatically insightful music for this opera, writes Nick Kimberley

The Bach Choir premiered a new piece by James MacMillan, written to celebrate its 140th anniversary

A strong sense of the organic growth that makes this compact work so mysterious