Tosca at Glyndebourne: Adds a few shocking twists of the knife
La fanciulla del West: An opera through a haze of cowboy stereotypes
Peter Grimes at Royal Opera: A poleaxing production
The Turn of the Screw at the Royal Opera: commanding and unsettling
Siegfried at Royal Opera: A spectacular triumph
Rise and Fall of the City of Mahagonny: A Trumpian 'hellhole' opera
Saul at London Handel Festival: Has the family tensions of Succession
Così fan tutte: Has a broad humour that Mozart might have enjoyed
Boris Godunov at Royal Opera: Psychologically probing Russian epic
Smells like tenor spirit: Jake Dunn on the Kurt Cobain opera
Ariodante at Royal Opera: glorious first staging in 300 years
Last Days review: 'One of the most original operas this century'
Dead Man Walking at London Coliseum: 'worth the 25-year wait'
Cinderella at London Coliseum: 'Hugely enjoyable contemporary spin'
The Sicilian Vespers at the Royal Ballet and Opera House: enthralling
Grimeborn's Lucia di Lammermoor review: appealingly unconventional
Salome at the Barbican review: gripping performance from a dream cast
Semele at Royal Opera House review: 'deeply disturbing'
The Flying Dutchman at Opera Holland Park: ambitious and intense
Mary, Queen of Scots at London Coliseum review: inventively vigorous
Festen at The Royal Opera: gripping adaptation of a film masterpiece
Jenufa at the ROH: symbolic, psychological and more potent than ever
Danielle de Niese: 'The Merry Widow is opera’s Love Actually’
La Rondine at the Barbican: deserves a place in opera's canon
The Elixir of Love at London Coliseum: bold, comic and full of sparkle
Tales of Hoffman at the Royal Opera House: thought-provoking spectacle
Eugene Onegin at the Royal Opera review: spine-tingling
Il Segreto di Susanna/Pagliacci at Opera Holland Park: light and dark
The Merry Widow at Glyndebourne review: witty and stylish
Carmen at Glyndebourne review: courses with sexual and psychic energy
The Royal Opera House to change its name in a big boost to ballet
Meet Lee Bradshaw: the opera composer inspired by Iron Maiden
Carmen at the Royal Opera: where was the explosive chemistry?
The Rake's Progress at Hackney Empire: a barrage of ideas and concepts
Jephtha at the Royal Opera House: a powerful indictment of puritanism
La Traviata at London Coliseum review: simply tremendous
Rigoletto at the Royal Opera House: psychologically probing
The Coronation of Poppea at Hackney Empire: dripping in lust and greed
Das Rheingold at the Royal Opera: this could become a Ring to savour
Semele at Glyndebourne: a fresh angle on the incendiary story
ENO lands £24m Arts Council funding and delays London move
La Bohème at Opera Holland Park: a fresh take on a perennial favourite
Don Carlo at the Royal Opera: a legendary turn from Lise Davidsen
Werther at the Royal Opera House: superstar Jonas Kaufmann is eclipsed
Dialogues des Carmélites at Glyndebourne: enthralling and timely
Rigoletto at Opera Holland Park: busting convention with a female gaze
Don Giovanni at Glyndebourne & Wozzeck at the ROH kick off the season
Blue at ENO review: this production will gather momentum and intensity
Innocence at the ROH review: school shooting opera is devastating
What West End plays are being streamed at Vue?
The Dead City at the London Coliseum: almost unbearably poignant
Akhnaten at the ENO review: Philip Glass opera revival is blistering
Rusalka at the Royal Opera review: a superb cast with no weak links
The Rhinegold at the Coliseum: a visual feast but the dish needs work
Tannhäuser at the Royal Opera House: well-sung, but sadly inert
A Child in Striped Pyjamas at the Cockpit review - harrowing drama
Opera star Danielle de Niese: ‘We need opera, we can’t just do Tiktok’
The Rape of Lucretia at the Linbury Theatre review: a musical triumph
Royal Opera House heckler who booed singer, 12, is banned for life
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