Mark Simpson brings bucketloads of panache to Nielsen's Clarinet Concerto

There was no lack of excitement and ceremonial, says Barry Millington

Though some moments were unintentionally comic, this production was very powerful, says Barry Millington

The orchestra played with admirable verve and sensitivity, says Barry Millington

There was a roster of starry talent at this birthday bash, including John Mark Ainsley and Michael Chance

Some of this production adds up and some doesn't, says Barry Millington, but there are some impressive performances

A shocking revival with violence and abuse constantly breaking the surface

This duo provided thrilling moments of spontaneity and inspiration, says Barry Millington

Love, dancing and a parrot feature in Offenbach's operetta – here less historical satire, more St Trinians

The Danish String Quartet launched the City of London Festival with panache, says Barry Millington

Though there was much to admire, Barry Millington found the solo performances unconvincing

David McVicar's production combines imaginative sets and outstanding performances, says Barry Millington

Brecht and Weill's work has never been more topical and this excellent production skillfully points up contemporary resonances

Barenboim shows you things in a way you had never considered

The singing is accomplished and the story has been updated, but much Poliuto remains uninspiring, says Barry Millington

Impressive performances from the likes of Joshua Bloom and Andrew Shore redeem below-par production

A choir which includes and gives solo slots to both fine singers and others of more modest accomplishments

Antonio Pappano’s conducting does justice to the emotional subtleties of this rarely performed masterpiece, says Barry Millington

A lack of balance is a let-down in this performance, says Barry Millington

Stephen Hough's performance on the South Bank has perception and integrity, says Barry Millington