

Ted Huffman’s new production at Glyndebourne relocates Puccini’s opera to the Fascist period

The stunning virtuosity of the score was all the more effective for its disciplined delivery by the LSO under Simon Rattle, writes Barry Millington

George Benjamin's first full-length opera received acclaim when it opened in 2012, and is just as accomplished in its Covent Garden revival, writes Barry Millington

The concert hall at King's Place makes a particularly sympathetic venue for a series of cello concerts, writes Barry Millington

Robert Carsen's production offers a magnificently shaped score and a uniformly strong cast, writes Barry Millington

The excellent Héloïse Werner provides evocative harmonics, writes Barry Millington

Roderick Williams offered an engaging stage presence at Middle Temple Hall, writes Barry Millington

The London Symphony Orchestra delivered a virtuoso performance, writes Barry Millington

The challenge of both watching and performing Lulu is exhilirating, writes Barry Millington

The Wimbledon International Music Festival played host to one of the leading Czech string ensembles

The Vasari Singers performed at the delightful venue of St Peter's, Eaton Square

It wasn't until the end of the evening that de Neise's talents were in sync, writes Barry Millington

Artistic director Amelia Freedman has cast a wide net for this exploration of Vienna's musical treasures, says Barry Millington

Rarely has the expression “follow your nose” seemed more apropos, writes Barry Millington

Conductor Vanska made the evening a thrilling helter-skelter ride, writes Barry Millington
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The LPO and conductor Jurowski built the concert to a lacerating climax, writes Barry Millington

This Don Giovanni offers a high-calibre cast and a couple of ingenious directorial twists, writes Barry Millington

Igor Levit proved he was premier league last night at Wigmore Hall, writes Barry Millington

This production makes an old point in an ingenious way, writes Barry Millington

Despite Anna Netrebko pulling out, the Royal Opera have a powerful production, and soprano Yoncheva is hugely impressive in the title role

It's been a remarkable seven days at the Proms, writes Barry Millington