Barry Millington

Opera

Tosca at Glyndebourne: Adds a few shocking twists of the knife

Ted Huffman’s new production at Glyndebourne relocates Puccini’s opera to the Fascist period

27 May 2026
Culture

Le Grand Macabre, review: A surreal satire on sex, politics and death

The stunning virtuosity of the score was all the more effective for its disciplined delivery by the LSO under Simon Rattle, writes Barry Millington

16 Jan 2017
Culture

Written On Skin, opera review: A contemporary operatic masterpiece

George Benjamin's first full-length opera received acclaim when it opened in 2012, and is just as accomplished in its Covent Garden revival, writes Barry Millington

16 Jan 2017
Culture

Alban Gerhardt / Aurora Orchestra / Collon: A string-snapping night

The concert hall at King's Place makes a particularly sympathetic venue for a series of cello concerts, writes Barry Millington

9 Jan 2017
Culture

Der Rosenkavalier: Handsome production is a springboard to new ideas

Robert Carsen's production offers a magnificently shaped score and a uniformly strong cast, writes Barry Millington

19 Dec 2016
Culture

A Winter's Tale: A more inspiring score could transform this piece

The excellent Héloïse Werner provides evocative harmonics, writes Barry Millington

14 Dec 2016
Culture

Roderick Williams/Julius Drake: A chance to hear lesser known gems

Roderick Williams offered an engaging stage presence at Middle Temple Hall, writes Barry Millington

6 Dec 2016
Culture

El Niño, review: Hynoptic, shimmering textures that mesmerise

The London Symphony Orchestra delivered a virtuoso performance, writes Barry Millington

5 Dec 2016
Culture

Lulu, opera review: A tremendous company achievement

The challenge of both watching and performing Lulu is exhilirating, writes Barry Millington

17 Nov 2016
Culture

Skampa String Quartet: A powerful reading with a sense of urgency

The Wimbledon International Music Festival played host to one of the leading Czech string ensembles

15 Nov 2016
Culture

Vasari Singers, review: Choir perform with exhilarating verve and brio

The Vasari Singers performed at the delightful venue of St Peter's, Eaton Square

4 Nov 2016
Culture

Danielle de Niese, review: De Niese saves the best for the encore

It wasn't until the end of the evening that de Neise's talents were in sync, writes Barry Millington

31 Oct 2016
Culture

Nash Ensemble, review: Atmospheric and emotionally expressive

Artistic director Amelia Freedman has cast a wide net for this exploration of Vienna's musical treasures, says Barry Millington

24 Oct 2016
Culture

The Nose: An exuberant, riotous show with a racy, cacophonous score

Rarely has the expression “follow your nose” seemed more apropos, writes Barry Millington

21 Oct 2016
Culture

LPO/Vanska, review: A very special cycle of Sibelius symphonies

Conductor Vanska made the evening a thrilling helter-skelter ride, writes Barry Millington

20 Oct 2016
Culture

LPO/Jurowski, review: Not for the faint-hearted

The LPO and conductor Jurowski built the concert to a lacerating climax, writes Barry Millington

17 Oct 2016
Culture

Don Giovanni: The ENO rises triumphantly to this challenging opera

This Don Giovanni offers a high-calibre cast and a couple of ingenious directorial twists, writes Barry Millington

3 Oct 2016
Culture

Igor Levit: A truly exceptional cycle of Beethoven piano sonatas

Igor Levit proved he was premier league last night at Wigmore Hall, writes Barry Millington

29 Sept 2016
Culture

Cosi fan tutte, opera review: Potent and unsettling

This production makes an old point in an ingenious way, writes Barry Millington

23 Sept 2016
Culture

Norma, review: Sonya Yoncheva commands the stage in Bellini’s classic

Despite Anna Netrebko pulling out, the Royal Opera have a powerful production, and soprano Yoncheva is hugely impressive in the title role

13 Sept 2016
Culture

Proms 2016, review: Barenboim holds the audience spellbound

It's been a remarkable seven days at the Proms, writes Barry Millington

7 Sept 2016