Kano - Made in the Manor, album review: ‘demands attention’

Laid-back: Kano's first album in six years is surprisingly soulful and vulnerable
Lisa Brownlee
David Smyth
4 March 2016

Kane Robinson emerged not long after Dizzee Rascal and has rapped for Gorillaz, but though the east Londoner has respect, he hasn’t yet reached household name status.

Kano - Made in the Manor

His fifth album, his first for six years, stomps around demanding attention in places – the opener, Hail, is a rap-metal revival we could do without, while New Banger and 3 Wheel-ups summon the urgency of the most aggressive grime – but mostly he sounds surprisingly laid-back, even vulnerable.

On Deep Blues, a smouldering piano piece made with Damon Albarn, he castigates himself for being “online looking at Rolexes” while a friend’s mum was ill. Strangers is a soulful tune about the mates he’s lost along the way.

Best of all, on My Sound he unites horn blasts, a deep bass rumble and a relaxed melodicism to confirm that his sound puts him out on his own in UK rap.

(Parlophone)