Kiff 's basic repertoire was established in the mid-Sixties. His men are like plumper, cartoon versions of Giacometti's stick figures, while his women are luscious earth goddesses, à la Brigitte Bardot. Stylistically, Kiff is indebted to German Expressionism, but his colours (particularly the lipstick pinks) suggest the influence of commercial art. The earliest work in this small retrospective is a recognition scene, Man Painting on Yellow (c1965). An artist has been painting a portrait on a piece of paper laid on a table-top. As he leans over, he suddenly seems to recognise his own image, and is transfixed, like Narcissus seeing his own reflection in a pool. Kiff intensifies the confrontation between man and his image by painting everything else in a searing yellow, as though the world beyond is burning up.