Unlike the aforementioned, many of the works don't fit so easily into their designated theme, though this shouldn't detract from much of the good work on view, including Rut Blees Luxemburg's romantic photograph of the side of a derelict house. Taken at night the wreck of a building is bathed in an unearthly golden light, suggesting that this show is about as much to do with nostalgia as it has to do with location, a theme which Pamela Golden also addresses in her tiny, polaroid-sized painting of children at play. It suggests also that perhaps we cannot so easily separate the two and, since Luxemburg is German, that national boundaries are no longer cultural ones. This could be stretching it, but what the heck, this is interesting stuff.