One of those etchings shows three skeletons bound to a stunted tree, an image transformed by the Chapmans into their sculpture Sex. It is nearly identical to the Goya etching but the skeletons wear comedy clown ears and are surrounded by flesh-eating vermin, including maggots and worms.
A spokesman for the Saatchi Gallery, where Hell is on display, would not comment on the artists' claim that Saatchi's refusal to lend Hell made the Chapman brothers consider refusing their nomination. Artworld rumour has long had it that Saatchi sees Tate director Sir Nicholas Serota as a rival, something both men deny.
A Tate spokesman refrained from criticising Saatchi, saying: "In the Turner Prize exhibition we aim to show work for which the artist was shortlisted by the jury. The availability of that work is always a matter for careful consideration."
Jake Chapman, in a typically eccentric manner, reveals what nearly ended their chance to win the 2003 Turner Prize in an interview with Dog Quarterly magazine about his dog, Kylie.