I was immediately struck by the city centre's stately architectural solidity: combined with its watery setting, it feels like a Rome/ St Petersburg hybrid. On a balmy July evening when the sky doesn't fully darken until nearly midnight and the streets are full of tanned, toned, ridiculously healthy-looking locals, it's hard to imagine its wide boulevards and elegant buildings smothered under feet-deep snowdrifts in the depths of winter. And equally hard to believe that this is the land of disturbingly dark goings-on, as Sweden's now most famous export, Stieg Larsson, would have us believe. It all seems so terribly wholesome. I headed across the water to the winding cobbled lanes of the Old Town on the island of Gamla Stan, passing huddles of men fishing for salmon in the channel between the Royal Palace and the Opera House. Outside the hulking monolith that is the palace, guards stood sentinel in buttercup-yellow sentry boxes, their bright white trousers glowing in the moonlight. And everywhere people were ambling in a late-night passeggiata, or sitting outside at busy restaurants and pubs.