I don't pretend it's beautiful. From outside, it looks like an out-of-town Tesco, or the red sand castle that Noddy built. It sounds one flat note while next door, Gothic St Pancras plays a whole symphony. It was the life's work of Sir Colin St John Alexander Wilson (known as Sandy') and when it opened in 1997, infamously ten years late and £184 million overspent, Prince Charles described it as looking like an academy for secret police'. But in my view it is more of a Charlotte Brontë heroine – plain but handsome of spirit.
Entering the piazza, you hurry past the ugly Paolozzi sculpture of Newton straining on a thunderbox. Crossing the threshold you relax into an atmosphere of industrious calm. People beat their own footpaths around the building. There is no prescribed way to get anywhere: lift, escalator, ramp, stairs. Whichever route you take, you pass the beating heart of the building, its literal and spiritual centre: the King's Library, George III's personal collection of gold-and-vellum bound volumes which glow inside a vast, dark-tinted glass humidor. It looks ghostly and decorative, but if you loiter long enough beside it you will see it whirr into use as the manuscripts are retrieved for study. The effect is enchanted, like seeing a Van Dyck courtier wink.