He first came up with The Land of Stories at the age of seven. ‘I have pictures of me as a kid, drawing the characters, doing the illustrations. But it wasn’t until I was on Glee and thrown into the spotlight, and shown examples of really nasty ways of human behaviour, that I thought of broadening the backstories of people who we thought we knew. There are so many people I’ve met who I thought I knew everything about, and then I meet them personally and go, “Oh, I was so wrong.” So Cinderella is almost like an X Factor kid, taken out of obscurity and talking about the price of fame. Sleeping Beauty has some part of her life romanticised, while other aspects are forgotten. Snow White will tell the twins about being vulnerable, how everyone thinks she’s just this really loving princess who is nice to animals, but it’s because she had so much rejection from her stepmother. Sleeping Beauty admits she’s got insomnia. The longer something is with you, the longer it has to marinate in your head, and it maybe ended up more psychological than I intended.’ Weirdly, he says all the characters in the book represent aspects of him. One twin is his lazy side, the other the know-it-all: ‘I used all the princesses therapeutically. Oh, sorry, they are queens, in my book — I don’t want to make them upset.’