Henry has exhibited at 20 Hoxton Square, Eleven Gallery, Thomas Williams Fine Art and with the online gallery murmurart.com, among others.
Describe your work It's traditional but it veers around. I try to be playful with figurative line drawings in watercolours and inks but it's not laugh-out-loud funny.
Why West London? It's green and I have a lurcher, Arrow (right), so it's nicer for him.
Who would you be alongside in your dream group show? A Danish painter called Tal R. He's really fun in his approach and plays interesting games that are approachable and enjoyable; a real painter with quite a childlike approach.
Nathasha Morland
London-born painter Natasha, 36, was brought up 'in the middle of nowhere' in New York state. She read English at Bristol and worked for Stephen Bayley and Andrew Martin before studying painting at Chelsea College of Art and City & Guilds, graduating in 2007.
Her buyers include Matthew Mellon. Natasha works in Shepherd's Bush in a studio owned by the arts charity Acava.
Describe your work Landscapes are the backdrop. I like city parks, a breeding ground for the uncanny. I mix incongruous vignettes to create ambiguous, open-ended stories. Turner on acid, I suppose.
Why West London? I used to have a studio in Hoxton. It's important at first to have similar-minded people around you, but I have an 18-month-old son now so I go to the studio, work really hard and leave.
Who do you admire? The video artist Bill Viola. I saw an incredibly moving piece he had at the Venice Biennale this year.
Will Ayres
Will, 35, was born in the East End and studied at Central Saint Martins and City & Guilds. He had an East End studio before moving to the Gas Works, where he could afford a bigger studio, which he says is clinical, like a dentist's surgery.
Several of his paintings have been bought or commissioned by The Groucho Club, and his work has appeared in group shows alongside Mario Testino, Andy Warhol and Andreas Gursky.
How does Fulham compare with the East End? There's more of a vibe in the East End and it's more contemporary. West London is more traditional, but you find interesting collectives of artists in both places.
Describe your work I'm a realist. My work is like snapshots, very nostalgic, of friends and from the internet and Polaroids. I transform those into drawings and paintings that look at life. I'm inspired by the everyday, the people I meet and the places I go.
Tanya Brett
With two artist parents, it was no surprise that Tanya, 33, followed a similar path. Trained at Chelsea College of Art and the University of Brighton, she sculpts animals - everything from peacocks to life-size horses - in ceramic and bronze, in her railway-arch studio in Battersea.
She takes commissions (including a pair of six-foot hares for hotelier Alistair McAlpine) and shows at the Jonathan Cooper Park Walk Gallery in Chelsea. One of Tanya's patrons is Marco Pierre White, who 'likes the roughness and immediacy of my work'. She has a solo show at Marco at Stamford Bridge in November.
Describe your work I sculpt animals, in an impressionistic style. I work very quickly and spontaneously.
Why animals? I've always been drawn to animals, dead ones and live ones. My flat is full of taxidermy. You end up doing really macabre things, but you're drawn to it because you love animals and want to see them close up. It's about loving their energy.
Why Battersea? I was originally near Old Street but Battersea is cheaper and close to my galleries.
Do you think similar kinds of artists gravitate together to similar places? No, Anish Kapoor has a stone yard just down the road from me.
