Her own talent first hit cinemas in Noel Clarke's urban dystopia Kidulthood in 2006, in which she gave a supremely confident, winning performance as a charismatic, selfish little slag called Becky. Since then she has played a 'very strategic' game, only taking parts she really wants, like the lesbian conceptual artist Elaine in the art-world caper Boogie Woogie, a rebellious factory worker in Made in Dagenham, and one of the murdered Ipswich sex workers, Anneli Alderton, in the TV docudrama Five Daughters. 'There are parts I've turned down that I could have gone very mainstream with,' she says. 'I had to choose between a part in St Trinian's and Donkey Punch.' The former was a feelgood family caper starring Colin Firth and Rupert Everett; the latter, a psychological thriller set at sea, named for a violent sex act, with no stars in the cast. To her, the choice was easy. 'They let me develop my own death scene, which was really cool. I did that stunt myself.' Her body appears to smack the ocean from a great height. 'Yeah, and because we were in South Africa there was a whole dive team looking out for sharks.'