Seventy minutes later we sat down to eat, having consumed far too much red wine in a dark bar that seemed to have been designed to ensure that people like Secombe and me don't go there. Corner Room is lighter, high-ceilinged, and filled with young trendies in thick-rimmed glasses. There is no art, as such, but there is an entirely cosmetic spiral staircase leading to a tiny door. An array of industrial-looking lights hangs at one end of the room, one of which a waitress banged her head on when delivering the starters to the table next to ours, as we eagerly spread butter on to fig and walnut bread.