Nowadays, says Tong, all DJs have a contact at NetJets or are hooked up with Twitter concierge services like @PrivateJetLady (‘From Light Jets to G550s, we can have you flying in style within two hours’). They are conversant in the vernacular of fractional ownership (where you buy air hours instead of owning a plane outright) and the sudden availability of ‘dead legs’ (planes making return flights with empty cabins that can then be purchased), and can tell a Bravo from a Mustang. It’s worth noting that even in these straitened times, Dutch-born Tiësto’s annual income from gigs and producing is said (according to the Forbes rich list) to exceed $20 million gross, so he can comfortably afford the fees. ‘On some (scheduled) airlines, I’m platinum for life,’ Tiësto explains. ‘But now I use a private jet. It makes a big difference.’ Four years ago, inspired by Morillo’s audacity, Pete Tong requested that a newly inked contract with the San Antonio club Eden should include a jet to take him and his extended family from London to Ibiza every Friday night. Eden’s management team quickly agreed.