Carter is the producer's producer, the DJ's DJ (techno legend Richie Hawtin describes him as 'America's last true underground DJ') and is considered a god among trainspotters, which surely qualifies him as a bona fide superstar DJ. Carter's productions loom large over house's golden decade of the 1990s and cover the whole house spectrum. Similarly, his DJ sets eschew myopic genre fascism; instead, he's all-embracing - layering a cappellas over chunky disco and tech grooves, and taking in tribal, funked up and jacking house. Above all, Carter plays for us (the crowd) - not himself - and rumour has it the drunker he is, the better his sets are.