Their big break came in Bourne's acclaimed National Theatre production Play Without Words, each playing one third of the troubled central character, Anthony, who was portrayed by three dancers at the same time.
Yet they are very different characters. Archer is only just the elder, but plays the big brother in the relationship, the steadying foil to Winsor's instinctive openness.
This contrast feeds into their own interpretations of Edward. 'Yes, we're playing the same character, but you can definitely see our own personalities glimpsing through,' says Archer.
Bourne's unique style calls for a combination of dancing and dramatic skills, yet both Archer and Winsor see themselves as actors. 'I got a note from Matthew after one of the preview shows about the big final duet, saying: "Don't forget the dance element",' says Archer. Winsor sheepishly confesses he got one, too.
That the dance was in danger of taking a back seat is testimony to how deeply Archer and Winsor have been touched by the role. 'We're both a bit Method. We've become a bit Edward,' says Archer. 'I find I'm thinking how Edward would think.'
Winsor agrees. 'There's something of Edward in all of us. It's an emotional connection, that feeling of being isolated - that's something most of us can relate to. I'm in tears at the end, I'm so drained physically and emotionally. You see and feel what he's been going through - and the audience goes through it with you.'
Edward Scissorhands, previewing now, opens tomorrow, until Feb 5, Sadler's Wells, Rosebery Avenue EC1, Tue to Sat 7.30pm, Sats, Weds and various mats 2.30pm, Suns 4pm, £10 to £48. Tel: 020 7863 8000. www.sadlerswells.com. Tube: Angel