Francis O'Connor's handsome, mobile silver and grey art deco becomes the scene of Finch's diplomatic triumphs. Comically impervious to sexual advances from Fiona Dunn's overmature Rosemary, artfully exploiting Biggley's several passions for his old University, knitting and the terrific Annette McLaughlin's airhead bimbo, Finch makes career advancement look a breeze.