The bare stage boasts a back wall, from whose three exits characters keep popping, and onto which three chairs and a pair of red shoes are horizontally stuck. This design, Zoe Rahman's jazzy piano music and Mark Crown's trumpet improvisations all help shape the dream-struck, improvisatory atmosphere in which Stephen Harper's dark-suited, moustachioed, dead-pan Boris falls for his barber Ursula. Seductive Hayley Carmichael invests this latter role with her familiar mix of husky-voiced, waif-like exuberance and childish glee.