I am not sure the same goes for this project, although no one could accuse it of lacking ambition. If anything, Lynne Plowman's House of the Gods tries too hard. Martin Riley's libretto sets the scene plainly enough in First World War London, but draws on an immense range of sources to forge an unwieldy amalgam of music hall, magic lantern show, anti-war agitprop, science fiction parable, puppet theatre and much else besides.