In the course of the next hour we follow the two characters as, without leaving their separate spaces, they mime their respective days. He, we learn, is a nurse, she an ergonomist. She wakes late, and mimes running to Kentish Town station. He reads the small ads. She applies make-up on the Tube. He sleeps. She types in an cramped office. He receives a text message. She visits a swimming pool. He jogs. She visits Bella Pasta. He visits the bottle bank. And so on to their inevitable meeting. At intervals portentous apophthegms appear on the screens (Space: That in Which Material Bodies Have Extension). Roland Barthes, meanwhile, is quoted in the programme.