Director Simon McBurney went to Tokyo for his latest theatrical vision, which is based on three short stories by Haruki Murakami, arguably Japan's most popular literary export. Murakami's deceptively simplistic style mixes everyday banality with poetic absurdism, yet in his narrative, say, about a man who stages a hold-up at a McDonald's with his wife, or a woman who spends her nights reading Anna Karenina because she cannot sleep, an obvious yet profoundly beautiful truth emerges about the chaos of the mind beneath everyday routines.