But Christof Loy's production - though generally workable and nothing like the nadir that was Aida - feels woolly and tired. Although firmly set in fascist Germany (yawn), some of Herbert Murauer's costumes seem to suggest a different era for no good reason.
The violent conflicts between the tenor and baritone aren't played out very convincingly, and the chorus too often doesn't seem sure what to do. Thank goodness for the exceptional music. Warwick Thompson
In rep until Dec 19, next perf tonight, Royal Opera House, Bow Street WC2, 7.30pm, Dec 13 mat 1pm, £7 to £145 (limited availability). Tel: 020 7304 4000. www.royalopera.org Tube: Covent Garden
