The Tate show will argue that Millais was much more complex and innovative than he has been given credit.
His late works, in particular, "are as dramatic in their freshness of vision as those of his Pre-Raphaelite period," say the curators. The exhibition will include about 140 paintings and works on paper, among them loans from galleries in New Zealand and America and several from private collections that have not been seen in public for many years, such as Christmas Eve 1887 and Portrait Of A Girl (Sophie Gray) 1857.