To recap, Indica was the influential avant-garde gallery that hardly sold a thing when it was set up in the 1960s (not surprisingly it went bust in 1967 after just a year). But it was undeniably the place to be seen. By bringing the original artists out of the archive and showing them alongside some of today's generation, Indica recreates the groovy vibe of the original. Conrad Shawcross's revolving light/kinetic sculpture, for instance, sits well with the kinetic wall sculptures of 1960s artist Takis (White Signals, pictured), and Aishleen Lester's brightly coloured, ceiling-height fabric 'pods' revisit the era of psychedelia. Elsewhere, the ushering in of conceptualism sees Yoko Ono's apple on a plinth (the apple is fresh, the idea goes back to 1966).
