A painstaking approach is evident in every note of his second album, written variously in Los Angeles, Essex and China, and recorded with live musicians under the increasingly in-demand producer Lexx. Woon has turned away from chilly computer noodling, seeking inspiration instead in the warm mid-Nineties neo-soul of Erykah Badu and D’Angelo — and there’s a rhythmic vitality here that soon becomes addictive.