Smith spills - part two!

Moving away from Bennifer — and newly-wed Lopez certainly has — Jersey Girl itself is a little gem. A softer, more sentimental story than one might expect from the man who created the Poop Monster in Dogma, and the Clit Commander in Jay and Silent Bob Strike Back, Smith tackles issues of juggling single parenthood with career needs skillfully. But thankfully it's shot through with a healthy dose of his trademark sarky wit.

Did Smith feel that after years of dick'n'fart jokes, that it was time to grow up?

"Yeah, I did," he asserts, getting comfy on the floor in front of the sofa. "I wanted to make this movie that's been swimming around in my head for a while, because I wasn't raised on movies like Clerks and Mallrats. Chasing Amy was more the type of 'dramedy' that I was raised on and that I was a big fan of. So sooner or later I was going to get to one of these - a feelgood tearjerker, so to speak.

"Thankfully, this wound up being good timing, because I couldn't make a movie with Jason Mewes (Jay) again, because he was so knee-deep in heroin and OxyContin at the time. All the rehab counsellors were like: 'You've got to cut him loose and turn your back on him and basically practice tough love.' So that freed me up to pursue this."

With Affleck, Lopez and Liv Tyler in place, Smith now had to find the titular Jersey Girl — the offspring of Ben and Jennifer's characters. Searching for the right 'look' led him to Raquel Castro, a bright-eyed, natural actress with an uncanny resemblance to the former couple. But it wasn’t just the superficial sheen that charmed Smith — he wanted to avoid the ubiquitous stage-school brat.

"She had to come across like a real little kid," he says. "I didn't want to just cast a movie-cute kid, because so often they're so cute you want to throw them through a f****** wall, you know? But for my money, I think most kids around that age (7), are starting to discover that adults are as full of s*** as anybody. They're not always precious. Raquel really brought that realness to it."

Add in a Will Smith cameo — "Nicest guy on the planet. I used to think Affleck was the nicest guy in the movie business, but Affleck is a f****** ogre compared to Will Smith" — and there's a cast of top actors doing a sterling job in a quality movie. Yet the poor publicity afforded to JG led him to receive a drubbing from the British press, too. The night of the low-key UK premiere saw an caustically funny Smith lay into the Mirror’s 3AM girls, for printing a speculative story that day about an unwell Affleck's absence from the event.

Smith won't go back on his words: "The 3am girls piece was full of bulls*** - I mean, saying the movie was a disaster Stateside? It’s not! We made £25m bucks. A disaster is Gigli. So I hate s*** like that and calling it a turkey — why? Based on what source? It seemed just like sour grapes because Ben didn't show up, and them saying he was ashamed of the movie. And meanwhile, a couple months ago when we released the movie in the States, that dude did more press on this movie than any other movie he’s done in recent history. Do a little f***ing research, that’s what I say."

But despite his experience at the hands of the tabloids, Smith is entranced by our celeb culture: "Nothing compares with England’s fascination with celebrities. The one thing I find refreshing is to open up a British publication and see someone they’re insisting is famous and you’re like 'Who the f*** is that?'

"I was looking at Hello or one of those and there was some girl there, some chick Jade from Big Brother? What's that? A reality show? So, even though the show was a couple years ago, she's still famous? Wow. That's insane."

For now, though, Smith's "mired in the aftermath" of Jersey Girl, and freely admits that it will take him some time to enjoy it fully. "I love the movie and it means something to me, but I think it'll be a while before I can kick back and appreciate it like I did when I first put it together. It's been clouded by the s*** we had to put up with. But hopefully one day there will be a generation that’s never heard of Bennifer."

And despite all the heartache Smith’s endured over his movie, he still vehemently sticks by the film’s ethos, which sees Ollie forswear a high-flying career for the sake of his child. But would he really give it all up for his kid? "