You can't blame the New Jersey auteur for being a little bitter, though. After a decade which saw him shoot to fame on the back of uber-low budget movie Clerks, and carve out a niche in making funny, faintly controversial movies, Smith decided to go mainstream. He'd already tackled Catholicism (1999's Dogma), a lesbian 'going straight' (1997’s Chasing Amy) and become a cult hero as one half of stoner duo Jay and Silent Bob, so making a touching film about a father's relationship with his young daughter should have been a breeze. Right? Wrong — Bennifer hit town.