This is a man who sweetly introduced a collection of short stories with, "Don't let go of my arm. And if I should kiss you in the dark, it's no big deal: it's only because you are my love." King's keen warmth - one of his key qualities - is usually the least translatable to film. Ironically, in Secret Window, all of the writer's warmth comes through but none of his frights. The movie dawdles rather than flows, and is all-ofasudden too pulpy, rambunctious.