Ballets Russes
Revolver Entertainment, PG, £19.99
Review: Nina Caplan
***
Clever Daniel Geller and Dayna Goldfine, and lucky us: in a few years' time, Ballets Russes would be unfilmable. The two directors' history of the Russian ballet company, founded by Diaghilev in 1909, makes ample, if unimaginative, use of those ballerinas still living, tracking the company's glorious rise and the bitter battles that broke out after Diaghilev died, culminating in the company's split into two rival organisations and painful demise in the 1960s. The archive footage is wonderful, even if ballet isn't your thing, and the politics - Ku Klux Klan members targeting the company's first black dancer - is an interesting aside, although Geller and Goldfine aren't interested enough to pursue this angle. Which is odd, given their obvious interest in history: one of the film's biggest flaws is the stolidly chronological trajectory, which makes a plodding contrast to the soaring dance footage.
Extras: None.