I said to director John Boorman that I'd have to learn how to tailor. I hate cut-aways to someone else's hands. In Shine, where I was playing a classical pianist, I learned how to play the piano and we didn't have to cut-away. That sort of stuff also helps you get into the mental state of the character. So I knuckled down and worked with a tailor in Sydney and another in Panama to learn how to chalk and cut up jackets. On the first tailoring demo I was chewing up the cloth and the chalk was going everywhere. Not a jacket you'd want to wear.