In between, there are large drawings made with chalk on a black ground: strange, empty rooms and corridors, as well as a series that featured people's backs, with their heads obscured. These capture in two dimensions the enigmatic heart of Muñoz's sculpture, though a room filled with dozens of wildly grinning men, each sharing the same Asian features, clustered in conversational groups, conveys no more a sense of intimacy than the figures displayed in isolation.
