This experience has clearly left an impression: one can see the influence of 19th century landscape painting and artists in the High Romantic tradition, such as Caspar David Friedrich. Whether contemplating nature or standing on skis for a ten minute breather, his solitary figures suggest the Romantic ideal of the sublime, although one that looks - with their 'cropped' effect - as if seen through a camera lens. Gardner doesn't avoid contemporary culture and the ways in which suburbia co-exist with wilderness. In one pastel (pictured), two middle-aged men ride on a bus, the beer gut of one absurdly echoing the mountain peak seen from the window - a landscape no longer awesome but simply an everyday backdrop. But as this exhibition also reveals, even a picture of a lone KFC bucket might be a thing of beauty in Gardner's hands.