As in Bruegel’s Fall of Icarus, and WH Auden’s poem about it, while Laura is concentrating on one thing — basically her whole life — the crises of other people’s are unrecognised or overlooked. And because she’s the narrator, you can only guess at her particular blindnesses. Convinced that something pivotal had happened in a car scene, I re-read it many times for clues, but had to conclude that in fact it was no more or less pivotal than any other. Whether that was a stroke of genius on the author’s part or not, it makes for a disturbing read.