Jagielski is a rich, dark stylist who occasionally topples into over-writing — although this might be the fault of the translation. At the same time, he’s not the sort of writer who bangs on about himself any more than necessary. But by the end of this remarkable book, there’s a sense that he has lost almost all the convictions that underpinned his life and is having to build himself up again from scratch. As for the people he leaves behind, they, I suspect, are shattered beyond any hope of repair.