Barry Millington

Opera

Tosca at Glyndebourne: Adds a few shocking twists of the knife

Ted Huffman’s new production at Glyndebourne relocates Puccini’s opera to the Fascist period

27 May 2026
Music

LSO/Rattle review: Julian Anderson premiere makes a dramatic display

Covid restrictions not only initiated the creation of the work but also added unexpected drama to the performance

10 Jan 2022
NABUCCO_ Dress Rehearsal, ROH Covent Garden, 17th December 2021,

Conducted by Daniel Oren,

Cast,

    Nabucco; Amartuvshin Enkhbat,
    Abigaille; Liudmyla Monastyrska,
    Zaccaria; Alexander Vinogradov,
    Fenena; Vasilisa Berzhanskaya,
    Ismaele;
Opera

Nabucco at the ROH review: terrific singing elevates a clunky show

The direction doesn’t stand up but the performances are knockout

22 Dec 2021
Music

Christian Gerhaher at Wigmore Hall: capturing joy and pain in song

The singer’s prioritising of expression over tone paid off to affecting effect

13 Dec 2021
Music

Jamie Barton/Jake Heggie at Barbican: a programme designed to delight

The American pair brought verve and spark to their programme, to an enthusiastic response

7 Dec 2021
Opera

Valkyrie, ENO: lost pyrotechnics aside, this new Ring looks promising

Despite a number of illnesses and technical issues, the potential of this new production still shone through

22 Nov 2021
Opera

Macbeth, Royal Opera House review: Outstanding

This brilliantly frugal production provides a splendid backdrop for some excellent voices

17 Nov 2021
Opera

Bluebeard’s Castle review: Bartok’s masterpiece told twice

A fortuitous scheduling clash that allowed us to see two fascinating interpretations of this enigmatic fable

8 Nov 2021
Music

LSO/Ticciati at the Barbican with Antoine Tamestit review: A wonder

Ticciati and his players seemed to rediscover the enchantment of Brahms’s Fourth Symphony

29 Oct 2021
The London Symphony Orchestra conducted by Daniel Harding with violin soloist Nicola Benedetti in the Barbican Hall
Music

Benedetti/Harding/LSO review: so smooth it was like gliding

Gosh it was good to hear the violinist live again in a concerto tailored to her strengths

11 Oct 2021
Music

Philharmonia review: Rouvali steered two titanic scores with assurance

The orchestra’s first London outing under the baton of its new maestro was a triumph, says Barry Millington

1 Oct 2021
Opera

Jenufa review: a production infused with heartwarming humanity

Lithuanian soprano Asmik Grigorian’s Covent Garden debut was eagerly anticipated - and she delivered

1 Oct 2021
Music

LSO/Simon Rattle at the Barbican: remastered Bruckner, mastered

The orchestra was immaculate in a programme that premiered the composer’s earlier versions of his much-fiddled-with Fourth Symphony

20 Sept 2021
Opera

Rigoletto at the Royal Opera House review - worth the 30 year wait

Antonio Pappano was in full command of his first production of the show in three decades - just as he prepares to leave Covent Garden

14 Sept 2021
Music

Sheku Kanneh-Mason Proms review: utterly beguiling

The young cellist plays with such mastery and artistic maturity that it’s easy to forget he’s still a conservatoire student, writes Barry Millington

6 Sept 2021
Music

Family Prom review: The Kanneh-Masons bring grace

Michael Morpurgo and Lemn Sissay were also on hand to conjure some family fun at the Royal Albert Hall

31 Aug 2021
Music

Chineke!/Bovell Prom: minor but marvellous revelations

The pioneering orchestra’s programme of neglected Black composers was a pleasure that will last

25 Aug 2021
Music

Jurowski/LPO Prom review: An excellent end to his LPO tenure

After fourteen years at the helm, he’s bowing out, with a typically esoteric but wonderfully played concert

13 Aug 2021
Music

Aurora Orchestra Proms review: Stravinsky from memory proved dazzling

The orchestra that does everything from memory proves once again it’s no gimmick - just deeply-felt, immersive music-making at its best

12 Aug 2021
Opera

Grimeborn Die Walküre review: Slimmed down but just as exhilarating

Coming in at only three hours this cleverly truncated version of Wagner’s epic is a fitting reopening show for the Hackney Empire

5 Aug 2021